Assoc. prof. dr. Renata Šukaitytė-Coenen

Monographs

• MIKONIS-RAILIENĖ, Anna (Ed.), ŠUKAITYTĖ, Renata (Ed.), MARTIŠIUS, Mantas, STONYTĖ, Renata. 2020. Politinis lūžis ekrane: (po)komunistinė transformacija Lietuvos dokumentiniame kine, videokronikoje ir televizijoje [Political Breakthrough on Screen: (Post) Communist Transformation in Lithuanian Documentary Cinema, Video Chronicle and Television]. Vilnius: Vilnius University Press, ISBN 978-609-07-0362-5, 374. (In Lithuanian)

Peer-reviewed articles / chapters in journals / books indexed in Scopus / Web of Science

• NÄRIPEA, E., ŠUKAITYTĖ, R., BALČUS, Z. Economic and Social Precarity in Baltic Cinema, In Cuter, G. Kirsten, H. Prenzel (eds.) Precarity in European Film: Depictions and Discourses, 2022, pp. 289–302. (In English, SCOPUS)
• MAZIERSKA, E., ŠUKAITYTĖ, R. 2020. Representation of Poverty in Polish, Lithuanian and Latvian documentary films of the post-communist period. In Studies in Eastern European Cinema, Taylor and Francis Ltd., 11(1), pp 67–81. (In English, SCOPUS)
• ŠUKAITYTĖ, R. 2015. Desires and Memories of a Small Man the Poetic Documentaries of Lithuanian Filmmaker Audrius Stonys. In J. Blankenship & T. Nagl (Eds.), European Visions: Small Cinemas in Transition, Bielefeld: Transcript-Verlag, pp. 317–333. (In English, Web of Science)
• ŠUKAITYTĖ, R. 2013. Practice-Based Film Education in Lithuania: Main Actors and Sites of Struggle. In M. Hjort (Ed.), Education of the Filmmaker in Europe, Australia, and Asia, London: Palgrave Macmillan, pp. 25–43. (In English, Web of Science)
• ŠUKAITYTĖ, R. 2012. The Drift Along a Traumatic Past in the Cinematic Worlds of Šarūnas Bartas. In L. Dovydaitytė & V. Sarapik (eds.), (Un)blocked Memory: Writing Art History In Baltic Countries, Kunstiteaduslikke Uurimusi / Studies on Art and Architecture, 21(3/4), Tallinn: Tallinn Academy of Art, pp 122-133. (In English, Web of Science and SCOPUS)

Other peer-reviewed articles in scientific journals and collective volumes

• ŠUKAITYTĖ, R. 2021. Karo Ukrainoje įrodymai Šarūno Barto filme „Šerkšnas“ (2017) [Evidence of the War in Ukraine in Šarūnas Bartas‘ Film “Frost” (2017)]. In L. Balaišytė, G. Surdokaitė-Vitienė (eds.). Meno istorijos studijos, 10 [Studies in Art History], Vilnius: Lithuanian Culture Research Institute, ISSN 2783-6193, pp. 239-268 (In Lithuanian)
• ŠUKAITYTĖ, R. 2021. Contemporary Lithuanian Documentary Cinema: A Critical Overview of Main Film Directions. In L. Stőhr & E. Török (eds.), Apertúra (Film–Visuality–Theory). Contemporary Documentary in Central and Eastern Europe, / Kortárs litván dokumentumfilm fő irányainak kritikai áttekintése. In Apertúra. Kortárs dokumentumfilm Kelet-Közép-Európában, A számot szerkesztette Stőhr L. & Török E. (eds.), Pompeji Alapítvány, Fall 2021, ISSN 1787-7245, (In English & Hungarian, Open access)
• ŠUKAITYTĖ, R. 2021. Istorija Lietuvos režisierių moterų dokumentiniuose filmuose: faktai, emocijos, asmeninė perspektyva [History in Lithuanian Women Directors‘ Documentaries: Facts, Emotions, Personal Perspective]. In N. Arlauskaitė & L. Kaminskaitė (eds.) Fokuse: moterys Lietuvos kine [In Focus: Women in Lithuanian Cinema], Vilnius: Lapas, pp. 188-213. (In Lithuanian)
• ŠUKAITYTĖ, R. 2018. Šaltasis karas, Sovietų Sąjungos griūtis ir Baltijos šalių nepriklausomybė Jaak Kilmi „Disko ir atominis karas“ ir Jono Meko „Lietuva ir SSRS žlugimas“ filmuose [The Cold War, the Collapse of the Soviet Union and the Independence of the Baltic States in Jaak Kilmi's Disco and Atomic War and Jonas Mekas‘s Lithuania and the Collapse of the USSR]. In R. Šukaitytė & K. Kirtklis (eds.) Socialinės tikrovės meditacija: kultūra, politika, visuomenė [Mediating Social Reality: Culture, Politics and Society]. Vilnius: Vilnius University Press, pp. 105-129. (In Lithuanian)
• ŠUKAITYTĖ, R. 2016. Lithuania Redirected: The New Connections, Businesses and Lifestyles on the National Screen. In M. Gott & T. Herzog (eds.), East West and Center. Reframing post-1989 European Cinema, Edinburgh: Edinburgh University Press, Published to University Press Scholarship Online, pp 175-190. (In English)
• ŠUKAITYTĖ R. 2015. The Apparitions of a Day Gone by and a Stasis of the Present in Films by Šarūnas Bartas. In L. Giukin & J. Falkowska (eds.) Small Cinemas in Global Markets: Genres, Identities, Narratives, Lexington Books, pp.107-120. (In English)
• ŠUKAITYTĖ, R. 2014. Naujoji darbininkų klasė lietuvių kine: lošėjai, dileriai, kreatyvai [New Working Class in Lithuanian Film: Smugglers, Dealers and Gamblers]. In R. Šukaitytė (ed.). Athena. Filosofijos studijos, [Athena: Philosophical Studies], Kinas ir filosofija, 9, [Thematic Issue 9, Film and Philosophy]. Vilnius: Lithuanian Culture Research Institute, pp. 160-174. (In Lithuanian, CEEOL, Lituanistika (LDB))
• ŠUKAITYTĖ, R. 2012. Documentaries on the Web: A New Expanded Consciousness, Cinematic Genre and Cultural Experience. In R. Šukaitytė & H. Christopher (eds.), Acta Academiae Artium Vilnensis, Thematic Issue 66, The Garden of Digital Delights: Rethinking Crossmedia Practices in Contemporary Art and Culture, Vilnius: Vilnius Academy of Arts Press, pp.129-137. (In English, EBSCO)
• ŠUKAITYTĖ, R. 2012. Marc‘o Augé ir Gilles‘io Deleuze‘o erdvės diskurso atspindžiai Šarūno Barto kinematografijoje [Marc Augé’s and Gilles Deleuze’s Space Discourse and Šarūnas Bartas Cinematography], In M. Saukaitė (ed.) Acta Academiae Artium Vilnensis, 65, Vizualioji kultūra [Thematic Issue 65 Visual Culture]. Vilnius: Vilnius Academy of Arts Press, pp. 135-151. (In Lithuanian, EBSCO, Lituanistika (LDB))
• ŠUKAITYTĖ, R. 2012. Praėjusios dienos atminimas ir nykstanti dabartis kinematografiniuose Šarūno Barto erdvėlaikiuose [Memory of a Day Gone by and the Disappearing Present in the Cinematic Timescapes of Šarūnas Bartas]. In D. Bacevičiūtė (ed.) Athena: filosofijos studijos, 8 [Athena: Philosophical Studies, 8], Vilnius: Lithuanian Culture Research Institute, pp. 183-197. (In Lithuanian, CEEOL, Lituanistika (LDB))
• ŠUKAITYTĖ, R. 2011. Šiuolaikinio kino žiūrovo vilionės - skaitmeniniai malonumai kino teatre ir namuose [Seduction of Contemporary Film Viewers – Digital Pleasures in the Cinema and at Home]. In V. Ščiglienė (ed.) Acta Academiae Artium Vilnensis, 63, Vilnius: Vilnius Academy of Arts Press, pp 107-116. (In Lithuanian, EBSCO, Lituanistika (LDB))
• ŠUKAITYTĖ R. 2011. Gilles’io Deleuze’o kino filosofija ir jos atspindys Šarūno Barto filmuose [The Ciné-Philosophy of Gilles Deleuze and its Reflection in the Films of Šarūnas Bartas]. In A. Žukauskaitė (ed.) Intensyvumai ir tėkmės: Gillesio Deleuze‘o filosofija šiuolaikinio meno ir politikos kontekste [Intensities and Flows: Gilles Deleuze’s Philosophy in the Context of Contemporary Art and Politics]. Vilnius: Lithuanian Culture Research Institute, pp. 34-57. (In Lithuanian)
• ŠUKAITYTĖ, R. 2010. The Quest for Lost Memories, Hidden Feelings and Desires: The Docu-inquiries of Audrius Stonys. In R. Šukaitytė (ed.) Acta Academiae Artium Vilnensis, 56, Baltic Cinemas after the 90‘s: Shifting (Hi)stories and (Id)entities, Vilnius: Vilnius Academy of Arts Press, pp 19-32. (In English, EBSCO, Lituanistika (LDB))
• ŠUKAITYTĖ, R. 2009. Socialinės dimensijos Lietuvos, Latvijos ir Estijos medijų mene XX a. pab. – XX a. [Social Dimensions in Media Art in Lithuania, Latvia and Estonia, in the end of 20th –beginning of 21st Centuries]. In M. Žvirblytė (ed.). Acta Academiae Artium Vilnensis, 53, Vilnius: Vilnius Academy of Arts Press, pp 83-94. (In Lithuanian, EBSCO, Lituanistika (LDB))
• ŠUKAITYTĖ, R. 2008. Medijų menas kaip mokslinė–eksperimentinė erdvė: Lietuvos, Latvijos ir Estijos atvejai XX a. pabaigoje – XXI amžiuje [Media Art as a Scientific–Experimental Space. The Case of Lithuanian, Latvian and Estonian Art in the End of the 20th–21st centuries]. In E. Grigoravičienė (ed), Menotyra [Art Studies], 15(2). Vilnius: Lithuanian Academy of Sciences, pp. 50-61.  (In Lithuanian)
• ŠUKAITYTĖ, R. 2007. Naujųjų medijų menas Lietuvoje [New Media Art in Lithuania]. In A. Žukauskaitė  (ed.). Athena. Filosofijos studijos, 3, [Athena: Philosophical Studies] Postmodernizmas ir kultūriniai pokyčiai Lietuvoje [Postmodernism and Cultural Change in Lithuania]. Vilnius: Versus aureus, pp. 173–186. (In Lithuanian, Lituanistika (LDB))
• ŠUKAITYTĖ, R. 2006. Elektroninis menas Lietuvoje, Latvijoje ir Estijoje: globalūs procesai ir lokalios iniciatyvos [Electronic Art in Lithuania, Latvia and Estonia: Global Processes and Local Initiatives]. In S. Juknevičius (ed.) Kultūra globalizacijos sąlygomis [Culture in Globalized World], Kultūrologija [Cultural Studies], 12. Vilnius: Institute of Culture, Philosophy and Art, pp. 48–74. (In Lithuanian; Lituanistika (LDB))
• ŠUKAITYTĖ, R. 2006. Estetinės situacijos kaita elektroninių medijų mene [The Shift of Aesthetic Situation in Electronic Media Art]. In A. Andrijauskas (ed.) Estetikos ir meno filosofijos teorijų kaita. [Changing Theories of Aesthetics and Philosophy of Art], II, Vilnius: Institute of Culture, Philosophy and Art. pp. 406–418. (In Lithuanian)
• ŠUKAITYTĖ, R. 2006. Elektroninio meno erdvės Lietuvoje: nuo virtualios iki laikinos medijų laboratorijos [Space of Electronic Art in Lithuania: From Virtual to Temporary Media Laboratories]. In Acta Academiae Artium Vilnensis, 43, Vilnius: Vilnius Academy of Arts Press, pp. 243-251 (In Lithuanian, Lituanistika (LDB))
• ŠUKAITYTĖ, R. 2005. Moteris su kamera – naujas matymas, nauji identitetai / A Woman with a Camera: New Vision, New Identities. In A. Žukauskaitė (ed.), Lytys, medijos, masinė kultūra / Gender, Media and Mass Culture. Acta Academiae Artium Vilnensis, 37, Vilnius: Vilnius Academy of Arts Press. pp 65–73; pp 193-202. (In Lithuanian & in English)
• ŠUKAITYTĖ, R. 2005. Jono Meko haiku: japoniškieji susitingusių kadrų variantai [Haiku of Jonas Mekas: The Japanese Frozen Flames]. In A. Andrijauskas (ed.). Komparatyvistinės studijos [Comparative Studies], IV. Vilnius: Institute of Culture, Philosophy and Art. Vol. 12, pp. 478–484. (In Lithuanian, Lituanistika (LDB))
• ŠUKAITYTĖ, R. 2005. Apie tikrovės reprodukavimą ir simuliavimą elektroninių medijų mene [Reproduction and Simulation of Reality in Electronic Media Art]. In M. Iršėnas & G. Surdokaitė (eds.). Acta Academiae Artium Vilnensis, 38. Vilnius: Vilnius Academy of Arts Press, pp. 175–184. (In Lithuanian; Lituanistika (LDB))
• ŠUKAITYTĖ, R. 2003/2004. Nuo reprezentacijos prie komunikacijos: žvilgsnis į menines transformacijas naujoje kultūros terpėje [From Representation to Communication: A Look into Recent Changes in Art]. In Logos, 35. Vilnius: Institute of Culture, Philosophy and Art; 2003, Vol. 35, pp. 150–158; 2004, Vol. 36, pp. 121–127. (In Lithuanian, CEEOL; Lituanistika (LDB))
• ŠUKAITYTĖ, R. 2003. Zamrozone klatki Jonasa Mekasa [Jonas Mekas’ Frozen Frames]. In K. Kuropatwa & D. Rode (eds.) Nie/obecne granice. Szkice o obliczach transgresji [Non/Present Borders. Sketches on the Faces of Transgression]. Krakow: Rabid, pp. 199-208. (In Polish)
• ŠUKAITYTĖ, R. 2003. Techninių vaizdinių invazija: grėsmė šiandieninei kultūrai ar jos naujas formavimosi etapas? [The Invasion of Technical Images: A Threat to Contemporary Culture or a New Phase in its Formation?]. In Logos, 30. Vilnius: Lithuanian Culture Research Institute, pp. 51–60. (In Lithuanian)

Edited collections of articles and special issues

• ŠUKAITYTĖ, Renata (Guest editor), 2018. Informacijos mokslai 84, [Information Sciences], Auditorijos tyrimai [Thematic Issue 84, Audience Studies], Vilnius: Vilnius University Press, 2018. ISSN 1392-0561. (In Lithuanian)
• ŠUKAITYTĖ, Renata (Ed.), KIRTIKLIS, Kęstas (Ed.). 2018. Socialinės tikrovės mediacija: kultūra, politika ir visuomenė [Mediating Social Reality: Culture, Politics and Society]. Vilnius: Vilnius University Press, 9786094599316. (In Lithuanian)
• ŠUKAITYTĖ, Renata (Guest editor), 2014. Athena. Filosofijos studijos [Athena: Philosophical Studies]. Kinas ir filosofijai, 9 [Thematic Issue 9, Film and Philosophy]. Vilnius: Lithuanian Culture Research Institute, ISSN 1822-5047 (In Lithuanian)
• ŠUKAITYTĖ, Renata (Guest editor), CHRISTOPHER, Hales (Guest editor), 2012. Acta Academiae Artium Vilnensis, Thematic Issue 66, The Garden of Digital Delights: Rethinking Crossmedia Practices in Contemporary Art and Culture. Vilnius: Vilnius Academy of Arts Press, ISBN-10 6094470702 (In English)
• ŠUKAITYTĖ, Renata (Guest editor), 2010. Acta Academiae Artium Vilnensis, Thematic Issue 56, Baltic Cinemas after the 90‘s: Shifting (Hi)stories and (Id)entities. Vilnius: Vilnius Academy of Arts Press, ISBN-10 ‏9955854855. (In English)

Scientific book reviews

• ŠUKAITYTĖ R. 2016. Sovietų Lietuvos kino fasadai ir kulisai. (Rec.: Anna Mikonis-Railienė, Lina Kaminskaitė-Jančorienė, Kinas sovietų Lietuvoje: sistema, filmai, režisieriai, Vilnius: Vilniaus dailės akademija, 2015) [Facades and Backstages of Soviet Lithuanian Cinema. (Review: Anna Mikonis-Railienė, Lina Kaminskaitė-Jančorienė, Cinema in Soviet Lithuania: System, Films, Directors, Vilnius: Vilnius Academy of Arts, 2015)]. In Lietuvos istorijos studijos [Studies of Lithuania's History], 37. Vilnius: Vilnius University Press, pp. 211-213. (In Lithuanian, Lituanistika (LDB))

Textbooks / Publications for studies

• ŠUKAITYTĖ R. 2019. Study material for the course Film Analysis, taught in the bachelor’s degree programme Creative Communication. Discussed and approved by the Vilnius University Faculty of Communication, the Committee of Bachelor’s Study Programme in Creative Communication on 18 March 2019 (Protocol No 160000 KI-57).
• ŠUKAITYTĖ R. Introductory chapter into Rytų ir Centrinės Europos kinas [Cinema of Eastern and Central Europe]; chapters on Čekijos kinas [Czech Cinema], Rumunijos kinas [Romanian Cinema], Vengrijos kinas [Hungarian Cinema], Honkongo kinas [Hong Kong Cinema], In A. Kanceravičiūtė ir N. Kažukauskaitė (eds.), Trumpa kino istorija: Nuo XX a. 5-ojo dešimtmečio iki XXI a. pradžios [A Brief History of Cinema: From the 1950s to the early 21st century]. Vilnius: Vaizdų kultūros studija, 2013. ISBN / EAN 978-609-95289-1-5.
• TŪTLYTĖ J., ŠUKAITYTĖ R. 2007. Kūrybinės industrijos: metodinė priemonė [Creative Industries: A Textbook] Kaunas: Vytautas Magnus University. ISBN: 9789955122920 (in Lithuanian)

Conference proceedings

• ČERNEVIČIŪTĖ J.; STRAZDAS R.; ŠUKAITYTĖ R., 2014. System Innovation Approach in Lithuanian Film Industry, 18th International Conference on Cultural Economics (ACEI 2014). Montreal, Canada, June 24-27, 2014. (In English)

Research projects

• March 2017 – August 2020, researcher in the project Politinis lūžis ekrane: pokomunistinė transformacija Lietuvos dokumentiniame kine ir videomedžiagoje [Political Breakthrough on Screen: Post- Communist Transformation in Lithuanian Documentary Cinema and Video Chronicle]. Project leader dr. Anna Mikonis-Railienė. Carried out at the Faculty of Communication, Vilnius University. Funded by the Research Council of Lithuania (Programme Modernity in Lithuania).
• 2017, individual grant for giving a paper on The Birth of a Nation and the Politics of Dissensus in Jonas Mekas’ Lithuania and the Collapse of the USSR at the International Conference Diversity in Glocal Cinemas: Language, Culture, Identity at University of Basque Countries (Spain, 21-23 September 2017) and writing an article on the topic of the paper. Funded by Lithuanian Cinema Centre (Individualių/edukacinių stipendijų schema [Individual/educational grants scheme]).
• July 2014 – June 2015, participant in the international research and studies project The Preparation of International Serious Games MA Level Programme. Project leader dr. Andres Jõesaar, carried out at the Baltic Film and Media School of Tallinn University (Estonia). Funded by Nordplus Programme.
• September 2014, grant for organizing an international scientific conference Crisis in Film and Visual Media (19-20 September 2014 in Vilnius), carried out at the Faculty of Communication, Vilnius University. Funded by Lithuanian Research Council of Lithuania. Role in the project – Project leader.
• June 2013 – August 2015, researcher in the research project Impact of Complex Environment Factors on a Creator (KAVA). Grant from Ministry of Education and Science (Project leader prof. dr. Jūratė Černevičiūtė), carried out at the Creative Innovation Lab of Vilnius Gediminas Technical University (Lithuania). Funded by Ministry of Education and Science (EU Structural Funds).
• July-December 2014, grant for Publishing of Academic Journal “Athena. Philosophical Studies”, thematic issue 9 Film and Philosophy. Implemented at the Lithuanian Culture Research Institute. Funded by Research Council of Lithuania (“Lituanistikos programa” [Lithuanian Studies Programme]). Roles in the project – leader, guest editor.
• January 2011 – December 2012, postdoctoral research grant for the project Small Cinema in a Global Context: Films of Šarūnas Bartas, carried out at the Lithuanian Culture Research Institute (academic supervisor dr. Audronė Žukauskaitė). Funded by the Ministry of Education and Science (The EU Structural Funds). Roles in the project – leader, postdoctoral researcher.
• October 2010 – July 2011, – researcher in the research project Philosophy of Gilles Deleuze in the Context of Contemporary Art and Policy (leader dr. Audronė Žukauskaitė), carried out at the Lithuanian Culture Research Institute. Funded by the Research Council of Lithuania (Programme Researcher Groups projects).

Researchers' supervision

• Since September 2021 – present, Aistė Stonytė (Lithuanian Academy of Music and Theatre, Art Doctorate (Film and Theatre) Laiko dramaturgija dokumentinio kino kūrimo procese [The Dramaturgy of Time in Documentary Filmmaking]. Expected completion of doctoral studies in September 2025.
• Since October 2020 – present, Ilona Vitkauskaitė (Vilnius University, Information and Communication Sciences), Posovietinė transformacija ir neoliberalistinės tapatybės reprezentacija Lietuvos populiariajame kine [Post-Soviet Transformation and the Representation of Neoliberal Identity in Lithuanian Popular Cinema]. Expected completion of doctoral studies in December 2024.
• 2014–2019, Renata Stonytė (Vilnius University, Information and Communication Sciences), Politinių įvykių reprezentacija dokumentiniame kine: Ukrainos krizės atvejis [Representation of political events in documentary cinema: the case of the Ukrainian crisis]. Dissertation successfully defended on June 8, 2020.
• 2013–2017, Audrius Dabrovolskas (Vilnius University, Information and Communication Sciences) Baltijos šalių kino industrijos kaita (1990-2016) [Developments in the Baltic Film Industry (1991-2016)]. Dissertation not submitted for defense.

Scientific consultant of doctoral students

• 2019–2021, Narius Kairys (Vilnius Academy of Arts, Art History and Criticism, supervisor prof.dr. Nerijus Milerius) Posovietinės erdvės naratyvinis kinas: tarp meno ir vizualinės antropologijos [Narrative Cinema of Post-Soviet Space: between Art and Visual Anthropology]. Dissertation successfully defended on 13 May, 2022.
• 2016–2020, Živilė Mičiulytė (Lithuanian Academy of Music and Theatre, Doctorate: Theatre and Film, supervisor assoc. prof. dr. Ramunė Balevičiūtė-Liugienė), “Post-tiesos“fenomeno raiška teatre ir kine: kūrybinės strategijos [The Phenomenon of Post-Truth in Theatre and Cinema: Creative Strategies]. Dissertation successfully defended on 17 December 2020.

Participation in the activities of doctoral committees

• 17 June 2024, the member of the Board of Dissertation Defence (Humanities, Philology) Deividas Zibalas, dissertation Destination Rome: Cinematic Cityscapes in Contemporary Hollywood Tourist Films, Vilnius University.
• 21 June 2023, the member of the Board of Dissertation Defence (Social Sciences, Communication and Information), Nadzeya Charapan, dissertation Visitor experience as a nexus of visitor-museum interactions: a study on genres of visit in ethnographic open-air museums, Vilnius Unviersity.
• 21 December 2022, the member of the Board of Dissertation Defense (Humanities, Art Studies), Jurij Dobriakov, dissertation The Development of the New Media Art Discourse in Lithuania in the 1990s–2010s, Vilnius Academy of Arts.
• 25 June 2021, the Chair of the Board of Dissertation Defense (Social Sciences, Information and Communication), Ingrida Kelpšienė, dissertation The Participatory Heritage: a Multiple-Case Study of Lithuanian Crassroots Cultural Heritage Communities on Facebook, Vilnius University.
• 14 May 2021, the Member of the Board of Dissertation Defense (Humanities, Art Studies), Miglė Munderzbakaitė, dissertation Adaptation of Literary Works: Intermediate and Intercultural Dialogues, Vytautas Magnus University.
• 18 December 2020, the Reviewer of Audrius Stonys’s dissertation The Landscape in Lithuanian Auteur Documentary Filmmaking: Structuring, Meaning and Development (Doctoral Degree in Art, Film and Theatre), Lithuanian Academy of Music and Theatre.
• 20 June 2014, the Opponent of Lina Michelkevičė, doctoral dissertation Participatory practices in Lithuanian contemporary art: the problem of criteria for analysis and evaluation (Humanities, Art Studies), Vilnius Academy of Arts.
• 17 May 2012 – the Member of the Board of Dissertation Defense of Gintarė Valevičiūtė, Alternative Animation and Its Trends in Contemporary Art (Meno Aspirantūra [Post-graduate Studies in Art]). Vilnius Academy of Arts.

Presentations in scientific conferences

• 24–25 November 2023, Populist Narrative Tropes in Emilis Vėlyvis’s Thrillers “Zero 3” (2017) and “The Generation of Evil” (2022), International conference „Populism in National and Global Media“, Vilnius University.
• 13 October 2022, Šukaitytė, Renata, Liene Ozolina, Zane Balcus, Ewa Naripea (moderator). Presentation in the roundtable Economic and Social Precarity in Baltic Cinema, 54th Annual Association for Slavic, East European, and Eurasian Studies (ASEEES) Convention “Precarity”, Virtual Convention VR5, Chicago, USA. (virtual participation)
• 10-14 August 2022, Remediated and Refreshed Memory of the Collapse of the Soviet Union in Sergei Loznitsa's Mr. Landsbergis (2021), International conference Visible Evidence: Images of History, University of Gdansk, Poland.
• 22-26 June 2022, Refreshed and Reworked Memory of Collapse of the Soviet Union in Sergei Loznitsa's Mr. Landsbergis (2021), International NECS Conference Epistemic Media: Atlas, Archive, Network, The Politehnica University in Bucharest, Romania.
• 9-10 June 2022, Critical and Personal Revision of Lithuanian History in Women's Essayistic Narratives (on-line paper), International conference The Essay Film as Critical Thinking, Institut ACTE – Université Paris 1 Panthéon-Sorbonne, France.
• 28 May 2021, Audiovisual Media and Memories of the Late 1980s and the Early 1990s in Lithuania and Eastern Europe (thematic panel: Renata Šukaitytė, Mantas Martišius, Renata Stonytė). International online conference Eastern European Film and Screen Media, University of Central Lancashire, JK.
• 11-12 September 2020, The Fall of the Communism and the Arrival of Neoliberal Capitalism in „My Street“ (2013) by Marcin Lattallo and „Rodeo“ (2018) by Kiur Aarma and Raivo Joerand. 11th Small Cinemas Conference Political Imaginaries of Small Cinemas and Cultures, Babeș-Bolyai University, Cluj-Napoka, Romania.
• 25-27 September 2019, Breaking, Crossing and Guarding Eastern European Borders in Documentary Films: “Waiting for Invasion” (2017),“1989“ (2014) and “The Bus“ (2005). 10th Small Cinemas Conference Small Cinemas, Small Spaces, University of Lisbon, Portugal.
• 10-12 November 2017, The Birth of the Nation and the Politics of Dissensus in Jonas Mekas’ Documentary Lithuania and the Collapse of the USSR, International conference Multivoicedness in European Cinema: Representation, Industry, Politics, University College Cork, Ireland.
• 19-22 November 2017, The Birth of the Nation and the Politics of Dissensus in Jonas Mekas’ documentary Lithuania and the Collapse of the USSR, International conference Diversity in Glocal Cinemas: Language, Culture, Identity, University of the Basque Country, Bilbao, Spain.
• 10 December 2014, Transnational Constellations in Latvian Films: Marked and Unmarked forms of Transnationalism, International conference Latvian National Cinema in European Context, Riga, Latvia (invited speaker)
• 19-20 September 2014, Gamblers, Gangsters and Grifters in Lithuanian Crisis Cinema, International conference Crisis in Film and Visual Media, Vilnius University, Lithuania
• 27-29 June 2014, The Psychogeographies of City Landscapes in Contemporary Baltic Film, Screen Studies Conference: Landscape and Environment, University of Glasgow, UK.
• 12-13 December 2013, Transnational Connections in Lithuanian Cinema: Telling and Selling Stories to the World, Transnational Baltic Cinema – Thematic Explorations and Industrial Perspectives, University of Helsinki, Finland (invited speaker)
• 20 June 2013, The Emergence of New Subjectivities, Businesses and Lifestyles in Lithuanian Cinema after the 2004, NECS annual conference Media Politics – Political Media, Charles University in Prague, Czech Republic.
• 21-22 June 2013, Non-functional Bodies and the Mise-en-scène of Desire in Kristina Buožytė’s films Collectress and Vanishing Waves, international conference the Body in Eastern European and Russian Cinema, University of Greenwich, London, UK.
• 1-3 June 2012, Transnational Connections in Lithuanian Cinema: Telling and Selling Stories to the World, international conference Small Cinemas: Promotion and Reception, West University of Timisoara, Romania.
• 25-27 May 2012, Informal Film Education in Lithuania: A Vital Precondition for New Film Policies, Film Talents and Critical Film Audience, international conference The Education of the Filmmaker: Views from around the World, Lingnan University, Hon Kong (invited speaker)
• 26-28 April 2012, Transcultural Strategies and Tendencies in Contemporary Lithuanian Art Cinema annual conference of the Association for the Advancement of Baltic Studies, Chicago, USA.
• 21-25 Marc 2012, The Representations of New Workers (Smugglers, Dealers and Gamblers) in Contemporary Lithuanian, annual conference of Society for Cinema and Media Studies, Boston, USA.
• 17-19 December 2011, Transcultural Subjectivities in the Cinematic Worlds of Šarūnas Bartas: The Drift along a Traumatic Past, International conference (Trans)National Subjects. Framing Post-1989 Migration on the European Screen, Katholieke Universiteit Leuven, Leuven, Belgium.
• 15-18 September 2011, Young State –Young Industry - Young Auteurs: The Lithuanian Cinematic Auteurism of the 90’s; International conference Small Cinemas in Transition: Small, Smaller, Smallest, SUNY Oswego, USA.
• 23-26 June 2011, Aural Apparitions in the Cinematic Worlds of Šarūnas Bartas: The Drift along a Traumatic Past, NECS annual conference Sonic Futures: Soundscapes and the Languages of Screen Media. University of London, UK.
• 2-5 December 2010, Intercultural Aesthetics and Language of Šarūnas Bartas Films, international conference Impure Cinema: Interdisciplinary and Intercultural Approaches to World Cinema, University of Leeds, UK.
• 29-30 June 2010, Manifestations of New Realism in Lithuanian Documentaries from the 90s to the Present: The Case of Audrius Stonys, international conference European Visions: Small Cinemas in Transition. University of Western Ontario, London, Canada.
• 26-31 July 2008, New Tactics of Independent Public Space Development in Lithuania: Between Cultural Activism and Capitalist Spectacle, Symposium of Electronic Art ISEA2008, Singapore.
• 3-5 December 2007, Lithuanian Documentaries in 90s and 00s: New Philosophy for New Realism, international conference Realism and the Audiovisual Media. University of Leeds, UK.
• 15-18 November 2007, Electronic Art in Estonia, Latvia and Lithuania: the Interplay of Local, Regional and Global processes, Re: place 2007: The Second International Conference on the Histories of Media, Art, Science and Technology. Haus der Kulturen der Welt. Berlin, Germany.

Academic Qualification

Education

• 2008 Doctoral degree in Humanities, Art Studies, Vytautas Magnus University (Kaunas, Lithuania), Dissertation topic “Media Art in Lithuania, Latvia and Estonia in the Second Part of the 20th Century –21st Century: Institutional and Artistic Development”, Supervisor – prof. dr. Ryszard. W. Kluszczynski (University of Lodz, Poland), research consultant dr. Audronė Žukauskaitė (Lithuanian Culture Research Institute).
• 2001 Master's degree in Cultural Studies (Film Studies), University of Lodz (Lodz, Poland).
• 1999 Bachelor's degree in Art Studies, Vytautas Magnus University (Kaunas, Lithuania).

Qualification Advancements

• 2011–2012 - Postdoctoral fellowship at Lithuanian Culture Research Institute, research topic Small Cinema in Global Context: Filmmaking of Šarūnas Bartas (research adviser dr. Audronė Žukauskaitė).

Short term research visits/internships

• 2014 (19.07-26.07), Aarhus Technology Institute (Center for Industriel 3D); Aalborg University (The Creative Platform/Den creative platform) and Arhus University (Department of Business Development and Technology) within the research project Impact of Complex Environment Factors on a Creator (KAVA).
• 2012 (22.08– 22.09) Trinity College Dublin, Ireland.
• 2012 (11.06–25.06) University of Central Lancashire, UK
• 2011 (14.09–30.09) State University of New York at Oswego, SUNY Oswego, USA
• 2011 (17.08–4.09) Liverpool John Moores University, UK.
• 2011 (12.11–11.12) Baltic Film and Media School, Tallinn University, Tallinn, Estonia.
• 2011 (25.10 – 30.10), l’Institut National Supérieur des Arts du Spectacle et des Techniques de Diffusion (INSAS), Brussels, Belgium.
• 2010 (01.11-30.11), Faculty of Philology, University of Latvia, Riga, Latvia.
• 2010 (21.06-25.06), Centre for World Cinemas, University of Leeds, UK.

Selected trainings / seminars

• 2-29 May 2022, FRAMES Collaborative online Training on Virtual Exchange and blended mobility integration, UNICollaboration Moodle platform.
• 2022.05.9-12 Apklausų rengimo ir įgyvendinimo teorija ir praktika, Vytautas Magnus University.
• 27 September and November 4 2021, Qualitative Data Analysis with MAXQDA. Specific focus on “Qualitative Interviewing and Data Analysis”, Kaunas Technical University.
• April 27 2021, Kokybinių duomenų analizė su MAXQDA [Data Analysis with MAXQDA], Kaunas Technical University.
• 4 December 2019, training programme Mišraus mokymosi taikymas universitetinėse studijose [Blended Learning in University Studies], Vilnius University.
• 8-10 October 2010, Transmedia Next: Art, Craft & Business, Seize the Media, London.
• 17 June 2009, Media Literacy, Media Desk Poland and Polish Film Institute, Warsaw, Poland.
• 21-24 June 2006, Think Tank on European Film and Film Policy, Danish Film Institute, Copenhagen, Denmark.
• 13-14 July 2006, Creativity on-line. Marina Congress Centre, Helsinki, Finland.
• 23-25 August 2005, Innovative Strategies in International Cultural Cooperation, Amsterdam-Maastricht Summer School, University of Amsterdam, the Netherlands.
• 14-25 June 2004, Klaipeda International Summer School 2004: Academic Writing, Vilnius Academy of Arts and Lithuanian Christian College, Klaipėda, Lithuania.
• 2 –6 June 2004, International seminar Cultural and Visual Studies Reconsidered: Methods, Subjects, Strategies, European Humanities University, Minsk, Belarus.

Participation in Erasmus teaching mobility scheme

• 1-5 October 2018, Mapping the European Cinema: Cultural, Ceopolitical and Industrial Definitions (4 hours); European Migrant Crisis and Terrorism in Recent European Auteurs Cinema (4 hours), School of Humanities and Social Sciences, University of Central Lancashire, Preston, UK.
• 6-11 April 2014, Webdocumentary – a New Cinematic Genre and Mode of Participatory Practice of Film-Viewing and Filmmaking (8 hours), University of Lodz.
• 22-27 February 2013, Transnational German cinema: the Case Study of films by Fatih Akin and Tom Tykwer (8 hours), University of Central Lancashire, Preston, UK.
• 28-30 October 2012, Historical and Political Intertexts in Eastern European Cinemas (8 hours), University of Latvia, Riga, Latvia.
• 9-11 November 2011, New Auteurism and Entrepreneurism in Lithuanian film after 1990’s (4 hours); Main Trends in Lithuanian Documentary Film (4 hours), Latvian Academy of Culture, Riga, Latvia.
• November 2004, Contemporary Lithuanian Cinema (10 hours), Estonian Academy of Arts, Tallinn.
• 25 April – 2 May 2004, Film and New Media (10 hours), University of Lapland, Rovaniemi, Finland.

Taught Subjects

Bachelor’s study level

• Since 2022 – Present, Audiovisual Media, Bachelor’s Study Programme in Journalism (taught together with dr. Ingrida Kelpšienė, Rūta Kupetytė, dr. Giedrė Vaičekauskienė).
• Since 2014  – Present, Film Studies, Bachelor’s Study Programme in Creative Communication
• 2018 – 2020, Transnational Cinema, Erasmus studies (In English).

Master’s study level

• Since 2022 – Present, Mass and popular communication, (taught together with assoc.prof.dr. Mantas Martišius) Master’s Study Programme in Communication Sciences.
• Since 2017 – Present, Social and Political Cinema, Master’s Study Programme in Communication Sciences.
• 2014–2021, Media Industries (2014-2017 the title of the course Audiovisual Industries), Master’s Study Programme in Communication Sciences.
• 2017-2022, Critical Visual Theories, (taught together with assoc.prof. dr. M. Petrikas) Master’s Study Programme in Communication Sciences.
• 2017-2018, Eastern European Cinemas Erasmus studies (Bachelor’s and Master’s level) (In English).
• 2017-2018, Communication Theory and Research Methods (taught together with prof. dr. A. Navickienė and prof. dr. G. Aleknonis), Master’s Study Programme in Communication Sciences.

Doctoral study level

• Since 2021 – Present, Audiovisual Media Theories, (R. Šukaitytė – coordinating professor, taught together with assoc. prof. dr. A. Gudauskas and assoc. prof. dr. M. Martišius) (In Lithuanian).
• Present – 2021, Theories and research methodologies of political communication (Coordinating professor dr. A. Vaišnys).
• Since 2017– Present, Communication Theories (Coordinating professor dr. R. Matkevičienė).
• 2017-2020, Documentary Film Theory and Research, (In Lithuanian).

Expert and other activities

International expert panels

• 2021-2022 – the member of the Review Panel of the Call Transformations: Social and Cultural Dynamics in the Digital Age, CHANSE (Collaboration of Humanities and Social Sciences in Europe), co-created by HERA (Humanities in the European Research Area) and NORFACE (New opportunities for Research Funding Agency Cooperation in Europe) networks.
• 2008, the member of the International Programming Committee (expertise of art residency projects), International Symposium of Electronic Art ISEA 2008, Singapore
• 2008, the member of the Expert panel of the EU Culture (2007-2013) programme (Special actions of cultural cooperation with and in third countries; Multi-annual cooperation projects, Cooperation measure; Networks projects) submitted for the EU Culture (2007-2013) programme.
• 2007, the member of the Expert panel of the EU Culture (2007-2013) programme (Special actions of cultural cooperation with and in third countries; Multi-annual cooperation projects, Cooperation measure; Networks projects) submitted for the EU Culture (2007-2013) programme.

Expertise for Lithuanian institutions

• Since 2019 – present, the member of various research evaluation panels for the Research Council of Lithuania
• 2021, the member of the Expert panel to evaluate national Doctoral Programmes in Arts, Research Council of Lithuania
• 2020, the member of the Expert panel to evaluate national Doctoral Programmes in Art Studies, Research Council of Lithuania
• 2016–2019, the expert of the Agency for Science, Innovation and Technology
• 2015, the member of the Expert panel to evaluate the study programmes of Vilnius Pedagogical University (Master’s study programme Social and Creative Industry), the Centre for Quality Assessment in Higher Education
• 2014, the expert of educational project Media and Information Literacy project, Education Development Centre
• 2011, the member of the Expert panel to evaluate the study programmes of Vilnius Art Academy (Bachelor’s and Master’s study programmes of Scenography), the Centre for Quality Assessment in Higher Education
• 2008, the member of the Expert panel to evaluate the study programmes of Lithuanian Academy of Music and Theatre (Bachelor’s study programme of Cinematography), the Quality Assessment in Higher Education

Expert work

• Since 2014 – present, member of Lithuanian Film Board under the Lithuanian Film Centre.
• Since 2014 – present, member of Film Policy Board under the Ministry of Culture of the Republic of Lithuania.
• 2013, member of expert group for evaluating film industry promotion projects, Ministry of Culture of the Republic of Lithuania.
• 2013-2014, member of expert group for evaluating culture projects, Municipality of Vilnius.
• 2012-2013, member of the Lithuanian Film Awards nomination committee.
• 2011-2012, member of expert group for evaluating historical TV documentaries, Ministry of Culture of the Republic of Lithuania.
• 2010-2012, member of the committee of Awards for Young Artists, Ministry of Culture of the Republic of Lithuania.
• 2009–2012 – member of the Lithuanian Film Board under the Ministry of Culture of the Republic of Lithuania, 2010-2012 – chair of Lithuanian Film Board.
• 2009-2011 – member of the Media Committee, European Commission (delegated by the Ministry of Culture of the Republic of Lithuania).
• 2006-2008, member of the management board of the Baltic Film and Media School, Tallinn University, Estonia (delegated by the Ministry of Culture of the Republic of Lithuania).

Participation in scientific conferences committees

• 2023, the chair of the local organizing and scientific committees, International conference Populism in National and Global Media, 24–25 November, 2023, Vilnius University, Lithuania.
• 2022, the chair of the organizing and scientific committees, National Conference Audiovisual Media in Lithuania: State of Research and Education (conference is dedicated to the memory of professor dr. Žygintas Pečiulis), 29 November 2022, Vilnius University, Lithuania
• 2018, the member of the scientific committee, International Conference Communication and Information Sciences in Network Society: Experience and Insights IV, June 14–15 2018, Vilnius University, Lithuania
• 2017, the member of the scientific committee, International Conference Diversity in Glocal Cinemas: Language, Culture, Identity, 21–23 September, University of the Basque Country, Bilbao, Spain
• 2016, the member of the scientific committee, International Conference Baltic Sea Region Documentary Cinema: A Social and Aesthetic Phenomenon, 14–16 April, 2016, Latvian Academy of Culture, Latvia
• 2015, the member of the scientific committee, International Conference Music and Sound Design in Film New Media, 1-3 October 2015, Lithuanian Academy of Music and Theatre, Vilnius, Lithuania. 
• 2014, the chair of the scientific and organizing committees, International Conference Crisis in Film and Visual Media, 19-20 September 2014, Vilnius University, Lithuania
• 2014, the member of the scientific committee, International Conference Communication and Information Sciences in Network Society: Experience and Insights II, 19-20 June 2014, Vilnius University, Lithuania

Editorial board member of the journals

• The member of advisory board of Iluminace (National Film Archive in Prague)
• The member of editorial board of The Journal of Media and Cultural Studies /Medya ve Kültürel Çalışmalar Dergisi“ (Antalya Belek University)
• Since 2014 – present, the member of editorial board of Studies in Eastern European Cinema (Taylor & Francis)
• Since 2013 – present, the member of editorial board of Baltic Screen Media Review (Sciendo-DeGruyter)

Memberships in scientific organizations

• 2022 – the member of Association for Slavic, East European, and Eurasian Studies (ASEEES)
• Since 2017 – present, the member of European Communication Research and Education Association (ECREA)
• Since 2011 – present, the member of Informal network on Small Cinemas Research
• 2011-2012, the member of Society for Cinema and Media Studies (SCMS)
• Since 2008 – present, the member of European Network for Film and Media Studies (NECS)

Science Promotion

Public events (selected)

• 29 September 2018, Anna-Mikonis Railienė, Renata Šukaitytė, Mantas Martišius. Round table discussion about documentary film of the 1988-1991 and the audiovisual heritage in Lithuania, Cinema Centre Sklavija, Vilnius.
• 15 June 2018, moderator of an expert panel discussion Angažuojanti kultūra ir medijos [Engaging Culture and Media], International conference Communication and Information Sciences in Network Society: Experience and Insights IV, June 14–15 2018, Vilnius University
• 30 November 2018, discussion about The Mediation of Social Reality in Culture, Politics and Society. Moderatoror – Donatas Puslys, participants: Lauras Bielinis, Ignas Kalpokas, Kęstas Kirtiklis, Renata Šukaitytė. Contemporary Art centre, Vilnius.
• 13 February 2016,  moderation of discussion between Šarūnas Bartas and the audience after public lecture introducing the cinematic work of Šarūnas Bartas at special event on occasion of Sharunas Bartas Integral Retrospective 5 Feb - 6 Mar 2016, Georges Pompidou Centre, (Paris, France)
• 2 April 2016, virtual participation at discussion of Anna Mikonis-Railienė’s and Lina Jančorienė’s book  Kinas sovietų Lietuvoje: sistema, filmai, režisieriai [Characteristics and Historical Evolution of Lithuanian Feature film in the Soviet Era], National Art Gallery, Vilnius.

Non-reviewed articles and essays (selected)

• Šulcienė, R. (interviu, imantis); Šukaitytė-Coenen, R. (interviu, duodantis); Martišius, M. (interviu, duodantis); Vaičekauskienė, G. (interviu, duodantis). Rinkėjų laukia populizmo pliūpsniai // Savaitė. 2024, Nr. 16, p. 18–19.
• Šukaitytė, R. Kanonų kaitos metas Lietuvos kine // Kinas. 2024, Nr. 1, p. 60–61.
• Šukaitytė, R. Epas apie griūvančią blogio imperiją, Kinas, Nr. 2021/6 (363), pp. 3-5. (In Lithuanian). Interaktyvus https://www.zurnalaskinas.lt/festivaliai/2021-12-01/Epas-apie-griuvancia-blogio-imperija
• Šukaitytė R. 2020. Šiuolaikinis Lietuvos moterų kinas – vieta nacionalinėje ir tarptautinėje kino industrijoje, In Kinas, teminis numeris „Lietuvių kinas: filmai, kontekstai, asmenybės. Senos ir naujos istorijos“ (ed. Rasa Paukštytė) 2020/04 (355), pp. 40-51. (In Lithuanian)
• Mikonis-Railienė A. Šukaitytė R. 2019. Atgimstanti istorija. Baltijos keliai į nepriklausomybę (Įvadas į sudarytą Vilniaus dokumentinių filmų festivaliui specialiąją filmų programą „Baltijos keliai“), in Vilniaus dokumentinių filmų festivalio katalogas „Peržengti slenksčiai“ (eds. Sonata Žalneravičiūtė, Vilma Levickaitė), Vilnius: Skalvijos kino centras, pp. 15-18. (In Lithuanian)
• Mikonis-Railienė A. Šukaitytė R., Unikaliuose Lietuvos atgimimo kadruose - sausio 13-osios ir kovo 11-osios įvykiai, Lietuvos žinios, balandžio 16 d. 2019. Interaktyvus: https://www.lzinios.lt/Istorija/unikaliuose-lietuvos-atgimimo-kadruose-sausio-13-osios-ir-kovo-11-osios-ivykiai/285344  Lietuvos rytas, balandžio 22 d. 2019. Interaktyvus: https://www.lrytas.lt/it/ismanyk/2019/04/22/news/unikaliuose-lietuvos-atgimimo-kadruose-sausio-13-osios-ir-kovo-11-osios-ivykiai-10028945/
• Šukaitytė R. 2018. Les films de Sharunas Bartas, in Rétrospective Cinema Lituanien. Marielle Vitureau, Dalia Nakutytė (ed.). Lietuvos kino centras / La Cinémateque Français. (In French)
• Šukaitytė R. 2018. Šiuolaikinis pilnametražis lietuvos kinas. In Lietuvos kinas. Lietuvos kultūros institutas. Interaktyvus: http://lithuanianculture.lt/menosakos/kinas/
• Šukaitytė R. 2016. Žiūrovo situacija Sovietmečiu: struktūrinė kontrolė, tylioji rezistencija ir didėjantis reiklumas turiniui/ The Situation of the Viewer in the Soviet Era: Structural Control, Quiet Resistance and Growing Expectations of Content. In Živilė Etevičiūtė (ed.) Kinas eina per miestą. Tekstai / Cinema Passes Through the City. Texts, Vilnius: National Art Gallery, pp. 33-36. (In Lithuanian & In English)
• Šukaitytė, R. 2014. New Lithuanian Feature Films, in Jan Erik Holst (ed.) Stork Flying Over Pinewood Film, Nordic-Baltic Film Cooperation 1989–2014, Kom forlag, ISBN13 788293191278 (In English)

TV and radio programmes (selected)

• 24 November 2023, broadcast „Laikas kultūrai“. „Kaip atpažinti populizmą: žinau, ko nori žmonės, kas dėl visko kaltas, turiu greitą ir paprastą sprendimą!“ Presenter: Jolanta Kryževičienė.
• 23 November 2023, broadcast „Pakeliui su klasika“. Pokalbis su doc. dr. Renata Šukaityte-Coenen apie organizuojamą konferenciją „Populizmas nacionalinėse ir globaliose medijose“ [from 04:30 min]. Presenter: Jolanta Kryževičienė.
• 20 November 2023, broadcast „10-12“. Apie populizmo „virusą“ medijose ir komunikacijoje. Presenter: Rūta Kupetytė.
• 14 April 2021, Šukaitytė R., Stonytė, R. Džiazuojanti istorija. Kaip kinas konstruoja istoriją? Vedėjai Rimvydas Laužikas ir Indrė Kaminckaitė. 2021 m. balandžio 14 d. 14:00-15:00 val. https://www.lrt.lt/mediateka/irasas/2000148181/dziazuojanti-istorija-kaip-kinas-konstruoja-istorija?fbclid=IwAR1hc27KGWbxinEy0GUtaMEABwNZkAZ7dC7E_2UYmJThKcIkCntUXZx8hOw
• 8 December 2020, Šukaitytė R., Martišius M., Mikonis-Railienė, A. Pokalbis su Austėja Kuskiene tema „Politinis lūžis ekrane“ – kaip kito Lietuvos dokumentika, kronikos ir televizija Atgimimo ir Nepriklausomybės atgavimo laikotarpiu? Pilno metro https://www.lrt.lt/mediateka/irasas/2000132488/pilno-metro-politinis-luzis-ekrane-kaip-kito-lietuvos-dokumentika-kronikos-ir-televizija-atgimimo-ir-nepriklausomybes-atgavimo-laikotarpiu?fbclid=IwAR0ftby2INGfxhFUIfLxmiDdtPSjrwTRxMYGTPPhSn8Q2Aa85EdFmRGyF7E
• 12 June 2020, Šukaitytė R. Pokalbis su žurnalistu Simonu Bendžiumi apie kolektyvinę monografiją Politinis lūžis ekrane: (po)komunistinė transformacija Lietuvos dokumentiniame kine, videokronikoje ir televizijoje (Mikonis-Railinė A. (sud.), Šukaitytė R. (sud.), Martišius M., Stonytė R.). Vilnius: Vilniaus universiteto leidykla, 2020) LRT Klasikos mokslo populiarinimo radijo laidoje „Kosmoso departamentas“ LRT KLASIKA 2020.06.12 11:05, https://www.lrt.lt/mediateka/irasas/2000111605/kosmoso-departamentas-kino-ir-muzikos-galia